Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Why do we use it?
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Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Why do we use it?
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using ‘Content here, content here’, making it look like readable English. Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text, and a search for ‘lorem ipsum’ will uncover many web sites still in their infancy. Various versions have evolved over the years, sometimes by accident, sometimes on purpose (injected humour and the like).
[…] University of Manchester, the Sivanandan collection at the University of Warwick Library and the Institute of Race Relations Library are important for helping historians begin to write this history. Although Bunce and Field have […]
[…] del sur de Londres. En 1958, creó la primera publicación negra en Gran Bretaña, la West Indian Gazette (la Revista de las Indias del […]
[…] Saharan desert in Africa, to providing guidance to those still trying to move. It also lives on in anti-deportation and anti-detention campaigns, and in networks creating sanctuary spaces and cities after […]
[…] in Africa, to providing guidance to those still trying to move. It also lives on in anti-deportation and anti-detention campaigns, and in networks creating sanctuary spaces and cities after […]
[…] in Africa, to providing guidance to those still trying to move. It also lives on in anti-deportation and anti-detention campaigns, and in networks creating sanctuary spaces and cities after […]
[…] I’m especially struck at how fab a mag Tropic was. Featured are musicians such as Russ Henderson, who aren’t well known now but were popular back in the day. There are also short stories by Andrew Salkey, Sam Selvon, Jan Carew and other writers; spreads on artists Uzo Egonu (http://grosvenorgallery.com/artists/egonu-uzo/) and Justus Akeredolu (http://nigerianwiki.com/wiki/Justus_Akeredolu), a prescient Valerie (Val) Wilmer piece on the jazz saxophonist Joe Harriott, and a spotlight on the fabric designer Althea McNish And, wait for it…the August 1960 issue of Tropic has a snap of Claudia Jones looking rather joyful at a press day for her West Indian Gazette. Keep in mind that, while the BL holds a microfilm copy of that newspaper, we got it from the Institute of Race Relations Library, which has an original set (https://irr.org.uk/resources/bhc/). […]